Blogging and Poetry

I feel bad. I really want to keep up my blogging this year and yet it has been over 2 weeks since I last blogged. My excuse - I have been unwell - full of cold and tiredness. At the moment I feel like a 'sicknote' like I am always unwell, always tired and wanting to sleep huge amounts and full of aches and pains. Hopefully this is about to pass and I can look forward to spring time full of energy and renewed optimism.

I haven't been doing much creative, not even reading much but I have managed to un earth a good poet. I have an addiction, and yes it is an addiction, for buy books but especially little poetry books - self published and pamphlets, anything really. Some are good; some are absolutely brilliant; others no so - but all worth exploring and enjoying.

I purchased a little book of poetry by Keith Chandler called A different kind of smoke. It was in my local Oxfam shop and it is signed by the author (another thing I like to collect). So I took it home and have been doing some exploring inside its pages. I like it, I like it very much, some of the poetry has amazing imagery, some really makes me feel (all things I love about poetry). I know nothing about the author - he may be local, he may have written much more. I just checked the book was published in 2001 in Yorkshire (that is probably a big clue). Anyway I just want to show you two of his works here:

The "chicken girl"

they called you, those who tutted, clucked

but wouldn't "interfere" or help

the mother who, moustached retard.

couldn't cope, left you at home all day,

all night, with feathered foster aunts.

Among the dust, the dried sick smell

of chicken mash, the one square yard

of sky, fluff, yuk, hexagonal eyes

of wire, square yard of sluttish sand .........

Aged 10, tiny skull, hands bent back

at the wrist, "unable to communicate

except through head-jerking shrieks"

and, rarely, that self-crooning, sound

hat dustbath, or contentment makes .........

Perched on the social worker's lap

I see your, bright disc-membraned eye

(the other side blurred over, scarred

from unhealed fights) staring back

at the camera as at a bottle cap.

Bottom of the pecking order, you stab

and stab at the dry crust of my heart.

Keith Chandler

How amazing is this, it reminds me of Timothy Winters (Peter Porter) a kind of sad humour of child abuse.

Our Father

a shy stiff serious man. I think

of you as somehow on the brink

of being about to say more

than "good night", one hand on the door -

those warm soft things I try to say

to my son as, finally

tousling hair of kissing cheek,

I tuck him in against the dark.

When (packed off to boarding school)

your letters came, they were full

of news, money sometimes. No fuss

about how we felt. Or missing us.

We must talk more openly... What

made you uncomfortable like that?

Was it your father, hand on door,

dressed in the camouflage of war

not knowing what, or how, to say?

What are you afraid of? Why

can I never thing of you as "Dad"

but just "our Father"? It makes me sad

to stand here, to see you curled

drip-fed, cot-sided like a child,

to leave you in this nursery

of fear, as if with nothing to say.

Keith Chandler

This second piece has such a feel of my own father - who loved me but couldn't show it - as an adult I understood as a child it felt cold and unloved. That was the man he was. Not the same ending (my father died suddenly at 73) but the feeling is there.

Dix